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Showing posts from November, 2020

Critical Book Analysis: Where the girls are by Susan Douglas

Susan Douglas’s “ Where the Girls Are” is a book that captures life from the perspective of a woman growing up in the 1960s, soon after the baby boom generation. Professor Douglas’s purpose for writing this book was to illustrate the role of media depictions in dictating and reinforcing what society believed women should or should not be. She also exposes the conflicting values of what it meant to be a woman in society versus what it means to be American. More specifically, she is highlighting how difficult it was to balance between those two very different ideas and values. Douglas throughout her piece brings light to how the feminist movement came to be, why it was so important to women during that time and analyzed how intersectionality added another layer to it all. Fortunately, today’s sexist behavior is publicly shamed but there is still a lot of passive and subtle sexism that lives on when unchecked. My ultimate takeaway after diving into her piece is that although we have come...

Critical Interpretation of MONSTRESS: VOLUME 1 - POST #12

The comic that I chose to read this month is Monstress: Book one written by Marjorie Liu and drawn by Sana Takeda. This story takes place in a world inspired by early 20th century Asia, following the main protagonist Maika Halfwolf who is an Arcanic which is a magical creature that can pass as a human. There is a war between Arcanics and the Cumaea who are an order of sorceresses who experiment and consume the powers of Arcanics to fuel their power. Maika’s main objective is to avenge her dead mother, but is also struggling to find the balance between herself and the powerful demon that is within her. Marjorie Liu discusses on The Hollywood Reporter interview how "The world of Monstress is one that has been torn apart by racism, slavery, by the commodification of mixed race bodies that produce a valuable substance that humans require like a drug. Even if you look human, you might not be safe. It’s a familiar story to people of color in this country, and in the last four or five y...